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105
poems and were intended for a more personal, “spiritualized” worship. Most
biblical scholars since Gunkel have accepted his classifications, with perhaps some
modifications, but have focussed increased attention on the setting, the Sitz im
Leben, in which the psalms were sung. Sigmund Mowinckel, a Norwegian scholar,
explained the psalms as wholly cultic both in origin and in intention. He attempted
to relate more than40 psalms to a hypothetical autumnal New Year festival at
which the enthronement of Yahweh as the universal king was commemorated; the
festival was associated with a similar Babylonian celebration. Artur Weiser, a
German scholar, sought the cultic milieu of the Hebrew psalms especially in an
annual feast of covenant renewal, which was uniquely Israelite.
Psalms is a source book for the beliefs contained in the entire Hebrew Bible.
Yet, doctrines are not expounded, for this is a book of the songs of Israel that
describe the way Yahweh was experienced and worshipped. Yahweh is creator and
saviour; Israel is his elected people to whom he remains faithful. The enemies of
this people are the enemies of Yahweh. In these songs are found the entire range of
basic human feelings and attitudes before God–praise, fear, trust, thanksgiving,
faith, lament, joy. The book of Psalms has thus endured as the basic prayer book
for Jews and Christians alike.
HERMETIC WRITINGS
Hermetic writings are also called Hermetica. They are works of revelation
on occult, theological, and philosophical subjects ascribed to the Egyptian god
Thoth (Greek Hermes Trismegistos [Hermes the Thrice-Greatest]), who was
believed to be the inventor of writing and the patron of all the arts dependent on
writing. The collection, written in Greek and Latin, probably datefrom the middle
of the 1st to the end of the 3rd century AD. It was written in the form of Platonic
dialogues and falls into two main classes: “popular” Hermetism, which deals with
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