Давайте проектировать и строить. Гвоздева А.А - 20 стр.

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25. You have used up all the money I gave you, I suppose.
Put in shall (not)/will (not)
1. Do not drink coffee before you go to bed. You … sleep.
2. "Are you ready yet?" "Not yet. I … be ready in five minutes."
3. I am going away for a few days. I am leaving tonight, so I … be at home tomorrow.
4. It … rain, so you do not need to take an umbrella.
5. "I do not feel very well this evening." "Well, go to bed early and you … feel better in the morning."
6. It is Bill’s birthday next Monday. He … be 25.
7. I am sorry I was late this morning. It … happen again.
Role Play
Discuss the peculiarities of the architectural style of your town
UNIT 6
Warming Up
1. What is the Louver palace nowadays?
2. What was it in the past?
3. In what architectural style was it built?
4. Do you know the names of the architects who created this masterpiece?
5. What associations appear in your mind when you hear the word "Louver"?
THE LOUVER
From the fortress of Philippe Auguste (1190) to the completion of the "Grand Dessein" (1870), the Louver
palace has extended progressively along the right bank of the Seine.
A true barrier separating the northern and southern parts of the city, the building constitutes the point of
departure of the great East-West view, which crosses the Arc du Carrousel, the obelisk in the Place de la Con-
corde, the Arc de Triomphe on the Champs-Elysées, and extends right out.
The international renown of the Louver museum sometimes makes us forget that it was originally designed
as a palace. Since the middle ages, its development has been quite exceptional, marked by both the major
events of French history and the succession of architects and decorators who have left their mark on it.
The medieval fortress from which the present day palace originates was built by King Philippe Auguste at
the end of the XIIth century. The restoration work on the Cour Carrée and the excavation work necessary for
construction of the pyramid and the Carrousel area enabled archeological digs to be undertaken. The architec-
tural structures of the basement will henceforth be included in the visit tours. Thus it is possible to walk along
the moats of the medieval fortress under the Cour Carrée, to pass around the base of the dungeon to get to the
salle Saint-Louis (XIIIth century), or, when going to the underground car park, to walk along the so-called
Charles V moats.
Amongst the items discovered during these digs, one of the most remarkable is a parade helmet belonging
to Charles VI, which was reconstituted from the one hundred and sixty nine fragments, which were found scat-
tered about. It is on show in the Salle Saint-Louis (Sully Wing).
In 1528, François Ist had the "grosse tour" destroyed, and decided in 1546 to transform the former fortress
into a luxury residence. The work, which was supervised by Pierre Lescot, continued under Henri II and Char-
les IX, involved two new wings, which occupy two sides of the former fortress. Jean Goujon decorated the
façade and the great hall of this Renaissance wing.
In the west, in a place known as the Tuileries, Catherine de Médicis had a huge palace built, which she left
incomplete. As soon as he arrived in Paris in 1594, Henri IV decided to join the Louver with the Tuileries to

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