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35
POINTS FOR DISCUSSION
1. Who is in your opinion the main character of the story? Why?
2. How could you answer Sandra’s question "What was he running
away about?"
3. Dwell upon the child’s feelings while in the dingy. Why do you
think he chose a dingy for running away? Can the dingy have a
figurative (or symbolic) meaning?
4. Can you explain his motive of throwing out the goggles and the
key chain into the lake?
5. How do you assume Boo Boo will treat Sandra? (Do you remember
Mrs. Snell’s words "What I’d do, I’d look around for another – ?"
(see p. 82)) What would you choose to do? Give your reasons.
6. The main feeling of the story is that of courage. Indicate any for-
mal or figurative signs of it.
7. It is very often stated that (in accordance with the principles of
Sanskrit poetics) in Salinger’s stories the main idea or most impor-
tant message is delivered with the least number of words or hints.
What might be the main message in this story?
ADDITIONAL TASKS
1. Retell the whole story on behalf of Sandra.
2. Write the next chapter of the story, outlining the main events that
followed.
3. Turn this story into a whodunit. Prior to this, in class discuss how
you have to change the structure of the text, the plot development,
the facts mentioned first; what the opening and the final scenes of
the story will be.
• Prepare the dramatization of the dialogue between Sandra
and Mrs. Snell and Boo Boo (pp. 80-86).
36
Lesion 6
For Esmé – with Love and Squalor
GENERAL COMPREHENSION
1. Give account of your immediate impression of the story after
having read it.
2. How many narratives are there in "For Esmé – with Love and
Squalor"? How are they connected?
3. What is the setting of the first inside story?
4. How does the narrator describe the group of his fellows? How
would you put it more transparently and succinctly?
5. What made the man go to the church?
6. Why do you think he noticed this very girl in the choir?
Describe the girl’s appearance.
7. How did he feel when the girl came up to him in the cafe?
Prove your opinion by citations from the text.
8. Comment on the girl’s behavior. What is peculiar in it?
Amalgamation of what does it seem to be? Give examples.
9. What is the girl’s attitude toward her parents, particularly to
her father? Prove your words by citations.
10. How does the man perceive the little boy? What seems striking
in the boy’s behavior?
11. Comment on the way the characters part.
12. What does the man mean by saying: "It was a strangely
emotional moment for me" (see p. 110)? Why was it strangely
emotional?
13. Where is the beginning of the second inner story? What are
the formal signs of it? What is its setting? To what extent does
it differ from the previous one?
14. Who are the characters of this narration?
15. Who is the speaker? Why do you think the author decided to
change the speaker? What interpretation of it can you give?
How does this point of view influence our perception of the
events? Would the narration be different if it were from a first-
person perspective? If so, in what way?
16. Who do you think X might be? Is it obvious?
POINTS FOR DISCUSSION Lesion 6 1. Who is in your opinion the main character of the story? Why? For Esmé – with Love and Squalor 2. How could you answer Sandra’s question "What was he running away about?" GENERAL COMPREHENSION 3. Dwell upon the child’s feelings while in the dingy. Why do you 1. Give account of your immediate impression of the story after think he chose a dingy for running away? Can the dingy have a having read it. figurative (or symbolic) meaning? 2. How many narratives are there in "For Esmé – with Love and 4. Can you explain his motive of throwing out the goggles and the Squalor"? How are they connected? key chain into the lake? 3. What is the setting of the first inside story? 5. How do you assume Boo Boo will treat Sandra? (Do you remember 4. How does the narrator describe the group of his fellows? How Mrs. Snell’s words "What I’d do, I’d look around for another – ?" would you put it more transparently and succinctly? (see p. 82)) What would you choose to do? Give your reasons. 5. What made the man go to the church? 6. The main feeling of the story is that of courage. Indicate any for- 6. Why do you think he noticed this very girl in the choir? mal or figurative signs of it. Describe the girl’s appearance. 7. It is very often stated that (in accordance with the principles of 7. How did he feel when the girl came up to him in the cafe? Sanskrit poetics) in Salinger’s stories the main idea or most impor- Prove your opinion by citations from the text. tant message is delivered with the least number of words or hints. 8. Comment on the girl’s behavior. What is peculiar in it? What might be the main message in this story? Amalgamation of what does it seem to be? Give examples. ADDITIONAL TASKS 9. What is the girl’s attitude toward her parents, particularly to her father? Prove your words by citations. 1. Retell the whole story on behalf of Sandra. 10. How does the man perceive the little boy? What seems striking 2. Write the next chapter of the story, outlining the main events that in the boy’s behavior? followed. 11. Comment on the way the characters part. 3. Turn this story into a whodunit. Prior to this, in class discuss how 12. What does the man mean by saying: "It was a strangely you have to change the structure of the text, the plot development, emotional moment for me" (see p. 110)? Why was it strangely the facts mentioned first; what the opening and the final scenes of emotional? the story will be. 13. Where is the beginning of the second inner story? What are • Prepare the dramatization of the dialogue between Sandra the formal signs of it? What is its setting? To what extent does and Mrs. Snell and Boo Boo (pp. 80-86). it differ from the previous one? 14. Who are the characters of this narration? 15. Who is the speaker? Why do you think the author decided to change the speaker? What interpretation of it can you give? How does this point of view influence our perception of the events? Would the narration be different if it were from a first- person perspective? If so, in what way? 16. Who do you think X might be? Is it obvious? 35 36
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