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109
script. The hieroglyphs corresponding to objects that had disappeared from daily
life were therefore no longer well known and were often distorted beyond
recognition. But the style of representation in the hieroglyphs still remained closely
bound to the art of the respective epoch. Thus there appeared taut, slender forms or
sensuous, fleshy ones, or even completely bloated characters, according to the art
style of the period.
Media for hieroglyphic writing
In historical times (2800 BC–AD 300), hieroglyphic writing was used for
inscribing stone monuments and appears in Egyptian relief techniques, both high
relief and bas-relief; in painted form; on metal, sometimes in cast form and
sometimes incised; and on wood. In addition, hieroglyphs appear in the most
varied kinds of metal and wood inlay work. All of these applications correspond
exactly with the techniques used in fine art, and the same craftsmen who produced
the works of art painted or incised the hieroglyphic inscriptions.
Hieroglyphic texts are found primarily on the walls of temples and tombs,
but they also appear on memorials and gravestones, on statues, on coffins, and on
all sorts of vessels and implements. Hieroglyphic writing was used as much for
secular texts–historical inscriptions, songs, legal documents, scientific documents–
as for religious subject matter–cult rituals, myths, hymns, grave inscriptions of all
kinds, and prayers. These inscriptions were, of course, only a decorative
monumental writing, unsuitable for everyday purposes. For popular use, hieratic
script was developed, an abbreviated form of the picture symbols such as would
naturally develop in writing with brush and ink on smooth surfaces like papyrus,
wood, and limestone.
Direction of the writing
The lines of hieroglyphs were written from right to left or, less frequently,
from left to right. Vertical rows of signs could be placed next to horizontal rows,
according to the particular demands of the architectural setting. The direction of
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