История письма и чтения. Асафова Г.К. - 124 стр.

UptoLike

Составители: 

125
Buckinck in 1478. But because engravings required a different press and
introduced a separate process into printing, and because experiments with woodcut
illustrations were so satisfactory, there was no extensive use of engravings before
1550.
Once a picture was prepared for printing, it could be repeated an indefinite
number of times with little loss in detail, accuracy, form, or original vigour. When
great artists such as Albrecht Dürer designed woodcuts the result was books of
high aesthetic value that could be produced in great numbers. Hypnerotomachia
Poliphili, printed by Aldus Manutius in 1499, is a monument to the early
perfection of the woodcut and to book illustration in general. Equally as important
as the reproduction of great art was the opportunity that printed illustrations
offered for the faithful reproduction of pictures and diagrams in scientific books.
The dawning scientific scholarship profited from the development of printed
illustration; it is significant that studies in both anatomy, with its need for precise
illustration of the human body, and cartography greatly expanded after
development of printed illustrations.
THE BOOK TRADE
The book trade during this early period showed enormous vitality and
variety. Competition was fierce and unscrupulous. A printer of Parma in 1473,
apologizing for careless work, explained that others were bringing out the same
text, and so he had to rush it through the press “more quickly than asparagus could
be cooked.” Though most of the early firms were small printer-publishers, many
different arrangements were made and at least one businessman, Johann Rynmann
of Augsburg, published nearly 200 books but printed none of them. Publishing
companies, which both financed and guided the printing enterprise, were also tried,
as at Milan in 1472 and at Perugia in 1475. Publishers were not slow to promote
their books. The medieval scribes had placed their names, the date when they
finished their labours, and perhaps a prayer or a note on the book, at the end of