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45
STRASSER
Perhaps.
Sequence 3
9 Before watching:
Read the following passage from the review of the film Casablanca and an-
swer the questions below:
The film has never been very popular with the critics, though. When it was
first shown, it was greeted with lukewarm reviews and even though it won the
Oscars for the best film, the best direction and the best screenplay a year later,
many share the view of Pauline Kael, who described it as 'a movie that dem-
onstrates how entertaining a bad movie can be'.
• Has the film been popular both with the critics and the audience?
• Do you think that a bad movie can be entertaining and an entertaining
movie can be bad?
• Think of a synonym for the italicized word.
10 V While watching:
Watch Sequence 3 and spot 11 mis-
takes in the script that follows:
Ilsa sits alone at her table.
ILSA
(to Waiter)
Will you ask the piano player to come over here, please?
WAITER
Very well, Mademoiselle.
Sam wheels in the piano to Ilsa's table. On his face is that funny fear.
Ilsa herself is not as self-possessed as she tries to appear. There is something
behind this, some mystery.
ILSA
Hello, Sam.
46
SAM
Hello, Miss Ilsa. I always expected to see you again.
He sits down and is ready to play.
ILSA
It's been a long time.
SAM
Yes, ma'am. A lot of water under the bridge.
ILSA
Some of the old songs, Sam.
SAM
Yes, ma'am.
Sam begins to play a number. He is nervous, waiting for anything.
ILSA
Where is Rick?
SAM
(evading)
I don't know. I ain't seen him all night.
Sam looks very uncomfortable.
ILSA
When will he be back?
SAM
Not tonight no more. He ain't coming. Uh, he went home.
ILSA
Does he always leave so late?
SAM
Oh, he never … well …(desperately) he's got a girl up at the
Blue Heaven. He goes up there all the time.
ILSA
You used to be a much better player, Sam.
SAM
Leave him alone, Miss Ilsa. You're good luck to him.
ILSA
Play it once, Sam, for old time's sake.
SAM
I don't know what you mean, Miss Ilsa.
STRASSER SAM Perhaps. Hello, Miss Ilsa. I always expected to see you again. He sits down and is ready to play. Sequence 3 ILSA 9 Before watching: It's been a long time. Read the following passage from the review of the film Casablanca and an- SAM swer the questions below: Yes, ma'am. A lot of water under the bridge. The film has never been very popular with the critics, though. When it was ILSA first shown, it was greeted with lukewarm reviews and even though it won the Some of the old songs, Sam. Oscars for the best film, the best direction and the best screenplay a year later, SAM many share the view of Pauline Kael, who described it as 'a movie that dem- Yes, ma'am. onstrates how entertaining a bad movie can be'. Sam begins to play a number. He is nervous, waiting for anything. • Has the film been popular both with the critics and the audience? ILSA Where is Rick? • Do you think that a bad movie can be entertaining and an entertaining SAM movie can be bad? (evading) • Think of a synonym for the italicized word. I don't know. I ain't seen him all night. Sam looks very uncomfortable. 10 V While watching: ILSA When will he be back? Watch Sequence 3 and spot 11 mis- SAM takes in the script that follows: Not tonight no more. He ain't coming. Uh, he went home. ILSA Does he always leave so late? Ilsa sits alone at her table. ILSA SAM (to Waiter) Oh, he never … well …(desperately) he's got a girl up at the Will you ask the piano player to come over here, please? Blue Heaven. He goes up there all the time. WAITER ILSA Very well, Mademoiselle. You used to be a much better player, Sam. Sam wheels in the piano to Ilsa's table. On his face is that funny fear. SAM Ilsa herself is not as self-possessed as she tries to appear. There is something Leave him alone, Miss Ilsa. You're good luck to him. behind this, some mystery. ILSA ILSA Play it once, Sam, for old time's sake. SAM Hello, Sam. I don't know what you mean, Miss Ilsa. 45 46
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