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57
Sequence 9
22 Before watching:
Write the synopsis of the previous Sequence in 4-5 sentences.
23 While watching:
At the linen stall, Ilsa examines a
tablecloth which an Arab vendour is
endeavoring to sell. He holds a sign
which reads "700 francs".
Rick walks up behind Ilsa.
At the end of the Sequence Ilsa walks away into the cafe as Rick stares af-
ter her in stunned disbelief.
• Who says the following during the scene?
Possibilities: Rick, Ilsa, Arab. The quotes are not in order they occur.
A You will not find a treasure like this in all Morocco. Only 700 francs.
B Victor Laszlo is my husband … and was, even when I knew you in
Paris.
C I was in no condition to receive you when you called on me last night.
D I'm not running away any more. I'm settled now, above a saloon, it's
true.
E Why did you come back? To tell me why you ran out on me at the
railway station?
F You can tell me now. I'm reasonably sober.
G Did I say "700 francs"? You can have it for 200.
H For special friends of Rick's we have a special discount. One hundred
francs.
I Someday you'll lie to Laszlo.
J Last night I saw what has happened to you. The Rick I knew in Paris, I
could tell him. He'd understand … If we leave it that way, maybe we'll
remember those days in Casablanca, not last night.
Report the conversation above in the correct order, transforming the direct
speech into reported speech, using the following reporting verbs: ask, con-
sider, insist, object (x2), invite, remark / say, request, suggest (x2).
58
24 After watching:
Do you think Rick is entitled to know why Ilsa 'ran out on him at the railway
station'? With another student re-enact the scene, inventing your own dia-
logue. Think of the reasons why Ilsa didn't go with Rick.
Sequence 10
25 Before watching:
Write the synopsis of the previous Sequence in 4-5 sentences.
26 While watching:
Rick's Cafe – Office – Night.
Rick and Laszlo sit and discuss
Laszlo's dilemma.
Who says the following during the scene?
Possibilities: Rick / Laszlo. The quotes are not in order they occur.
A I appreciate it, but I don't accept it.
B Are you enough of a businessman to appreciate an offer of a hundred
thousand francs?
C You could make it a million francs, or three, my answer would still be
the same.
D There must be some reason why you won't let me have them.
E You must know it's very important I get out of Casablanca. It's my
privilege to be one of the leaders of a great movement.
F I'm not interested in politics. I'm a saloon keeper.
G Isn't it strange that you always happened to be fighting on the side of
the underdog?
H There is. I suggest that you ask your wife.
I Yes. I found that a very expensive hobby, too. But then I never was
much of a businessman.
J I'll raise it to two hundred thousand.
Report the conversation above in the correct order, transforming the direct
speech into reported speech, using the following reporting verbs: admit, be-
lieve, confirm (x2), consider, deny, hope, reply, suggest (x2).
Sequence 9 24 After watching:
22 Before watching: Do you think Rick is entitled to know why Ilsa 'ran out on him at the railway
Write the synopsis of the previous Sequence in 4-5 sentences. station'? With another student re-enact the scene, inventing your own dia-
23 While watching: logue. Think of the reasons why Ilsa didn't go with Rick.
At the linen stall, Ilsa examines a
tablecloth which an Arab vendour is Sequence 10
endeavoring to sell. He holds a sign 25 Before watching:
which reads "700 francs". Write the synopsis of the previous Sequence in 4-5 sentences.
Rick walks up behind Ilsa.
26 While watching:
At the end of the Sequence Ilsa walks away into the cafe as Rick stares af- Rick's Cafe – Office – Night.
ter her in stunned disbelief. Rick and Laszlo sit and discuss
Laszlo's dilemma.
• Who says the following during the scene?
Possibilities: Rick, Ilsa, Arab. The quotes are not in order they occur.
A You will not find a treasure like this in all Morocco. Only 700 francs.
B Victor Laszlo is my husband … and was, even when I knew you in Who says the following during the scene?
Paris. Possibilities: Rick / Laszlo. The quotes are not in order they occur.
C I was in no condition to receive you when you called on me last night. A I appreciate it, but I don't accept it.
D I'm not running away any more. I'm settled now, above a saloon, it's B Are you enough of a businessman to appreciate an offer of a hundred
true. thousand francs?
E Why did you come back? To tell me why you ran out on me at the C You could make it a million francs, or three, my answer would still be
railway station? the same.
F You can tell me now. I'm reasonably sober. D There must be some reason why you won't let me have them.
E You must know it's very important I get out of Casablanca. It's my
G Did I say "700 francs"? You can have it for 200.
privilege to be one of the leaders of a great movement.
H For special friends of Rick's we have a special discount. One hundred
F I'm not interested in politics. I'm a saloon keeper.
francs.
G Isn't it strange that you always happened to be fighting on the side of
I Someday you'll lie to Laszlo.
the underdog?
J Last night I saw what has happened to you. The Rick I knew in Paris, I
H There is. I suggest that you ask your wife.
could tell him. He'd understand … If we leave it that way, maybe we'll
I Yes. I found that a very expensive hobby, too. But then I never was
remember those days in Casablanca, not last night.
much of a businessman.
Report the conversation above in the correct order, transforming the direct
J I'll raise it to two hundred thousand.
speech into reported speech, using the following reporting verbs: ask, con-
Report the conversation above in the correct order, transforming the direct
sider, insist, object (x2), invite, remark / say, request, suggest (x2).
speech into reported speech, using the following reporting verbs: admit, be-
lieve, confirm (x2), consider, deny, hope, reply, suggest (x2).
57 58
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