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53
RICK
__11__
He chuckles.
ILSA
But be serious, darling. You are in danger
and you must leave Paris.
RICK
__12__
ILSA
(seriously)
Yes, of course, we …
RICK
__13__
ILSA
(quickly)
No, no. Not at my hotel. I, uh, I have things to do
in the city before I leave. I' ll meet you at the station, huh?
RICK
__14__
Rick chuckles again.
ILSA
(evasively)
That's too far ahead to plan.
RICK
__15__
ILSA
Oh, darling!
Suddenly Ilsa turns away and starts to cry.
RICK
__16__
ILSA
I love you so much, and I hate this war so much.
Oh, it's a crazy world. Anything can happen.
If you shouldn't get away, I mean, if, if something
should keep us apart, wherever they put you and
wherever I'll be, I want you to know …
54
She can't go on. She lifts her face to his. He kisses her gently.
ILSA
Kiss me. Kiss me as if it were the last time.
He looks into her eyes, then he does kiss her as though it were going to be the
last time.
Sequence 6
15 Before watching:
Read the following passage from the review of the film Casablanca and an-
swer the questions:
The acting is impeccable in the minor as well as the major roles, and the
stars themselves are so perfectly cast that the shots of them together have be-
come mythical. Humphrey Bogart has never been surpassed as the man whose
tough, professional exterior hides a romantic sense of honour. There has never
been a film actress with a more beautifully expressive face in close-up than
Ingrid Bergman.
• What is the critics' opinion on the cast?
• What characterizes the acting of Humphrey Bogart and Ingrid Bergman?
Can you name other movies where they star?
• Think of synonyms /definitions for the italicized words.
16 V While watching:
Watch Sequence 6 and write down
the script yourselves.
GARE DE LYON – NIGHT
It's raining very hard at the train
station.
There is a hectic, fevered excitement, evident in the faces of the people that
pass by. This is the last train from Paris.
Rick appears in the crowd. He stops and puts his suitcase down and glances at
his watch.
A conductor calls out "All aboard, last train leaving in three minutes."
RICK She can't go on. She lifts her face to his. He kisses her gently. __11__ ILSA He chuckles. Kiss me. Kiss me as if it were the last time. ILSA He looks into her eyes, then he does kiss her as though it were going to be the But be serious, darling. You are in danger last time. and you must leave Paris. RICK Sequence 6 __12__ 15 Before watching: ILSA Read the following passage from the review of the film Casablanca and an- (seriously) swer the questions: Yes, of course, we … The acting is impeccable in the minor as well as the major roles, and the RICK stars themselves are so perfectly cast that the shots of them together have be- __13__ come mythical. Humphrey Bogart has never been surpassed as the man whose ILSA tough, professional exterior hides a romantic sense of honour. There has never (quickly) been a film actress with a more beautifully expressive face in close-up than No, no. Not at my hotel. I, uh, I have things to do Ingrid Bergman. in the city before I leave. I' ll meet you at the station, huh? • What is the critics' opinion on the cast? RICK • What characterizes the acting of Humphrey Bogart and Ingrid Bergman? __14__ Can you name other movies where they star? Rick chuckles again. ILSA • Think of synonyms /definitions for the italicized words. (evasively) 16 V While watching: That's too far ahead to plan. Watch Sequence 6 and write down RICK the script yourselves. __15__ GARE DE LYON – NIGHT ILSA It's raining very hard at the train Oh, darling! station. Suddenly Ilsa turns away and starts to cry. RICK __16__ ILSA There is a hectic, fevered excitement, evident in the faces of the people that I love you so much, and I hate this war so much. pass by. This is the last train from Paris. Oh, it's a crazy world. Anything can happen. Rick appears in the crowd. He stops and puts his suitcase down and glances at If you shouldn't get away, I mean, if, if something his watch. should keep us apart, wherever they put you and A conductor calls out "All aboard, last train leaving in three minutes." wherever I'll be, I want you to know … 53 54
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