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21
8. The division between _________ and religious lyrics appears to be
somewhat artificial.
9. Chaucer was a very remarkable ___________.
10. The masterpiece among the alliterative poems which have _________
from the fourteenth century is undoubtedly “Sir Gawayne and the
Green Knight”.
11. The greatest English poets have been those who have followed the
genius of the language in ___________ false convention.
12. It is _________ to prove Langland’s close contact with rural life.
13. There are about sixty English medieval metrical
romances___________ .
14. If we compare the extant romances we should quickly recognize that a
number of themes or motifs keep __________ in them.
15. Chaucer’s mastery of his art is __________ deep in past poetic
practice.
16. There are about sixty English medieval ________ romances extant.
17. “Sir Gawayne and the Green Knight” is written in an English
________ .
18. Langland showed that he could handle a plain, __________ narrative
in verse.
19. As ________ story-tellers at the courts of kings and nobles in early
medieval France and England, the Bretons told their tales in French.
20. The unity of the “Canterbury Tales” is not altered by the fact that the
whole poem as planned remained_________.
Comprehension Activities
I. Read the following statements. Which of these statements do you think
are correct?
1. The period between 1100 and 1350 is commonly referred to as the
Middle English Period.
2. The fourteenth century was a rich period for poetry.
3. In the medieval period in Europe, short narratives were most
commonly written in verse.
4. All medieval English poetry closely resembles Chaucer.
5. If we compare the extant romances we should quickly recognize that
their themes are not related.
6. The “Canterbury Tales” is the greatest human tragedy of the Middle
Ages.
7. Chaucer’s “Romaunt of the Rose” is a literary source, a model of
“Roman de la Rose”.
8. The medieval period saw the end of the alliterative tradition.
9. In the “Canterbury Tales” we are listening much of the time to the
talking of the author.
10. “Sir Gawayne and the Green Knight” is written in an English dialect.
8. The division between _________ and religious lyrics appears to be somewhat artificial. 9. Chaucer was a very remarkable ___________. 10. The masterpiece among the alliterative poems which have _________ from the fourteenth century is undoubtedly “Sir Gawayne and the Green Knight”. 11. The greatest English poets have been those who have followed the genius of the language in ___________ false convention. 12. It is _________ to prove Langland’s close contact with rural life. 13. There are about sixty English medieval metrical romances___________ . 14. If we compare the extant romances we should quickly recognize that a number of themes or motifs keep __________ in them. 15. Chaucer’s mastery of his art is __________ deep in past poetic practice. 16. There are about sixty English medieval ________ romances extant. 17. “Sir Gawayne and the Green Knight” is written in an English ________ . 18. Langland showed that he could handle a plain, __________ narrative in verse. 19. As ________ story-tellers at the courts of kings and nobles in early medieval France and England, the Bretons told their tales in French. 20. The unity of the “Canterbury Tales” is not altered by the fact that the whole poem as planned remained_________. Comprehension Activities I. Read the following statements. Which of these statements do you think are correct? 1. The period between 1100 and 1350 is commonly referred to as the Middle English Period. 2. The fourteenth century was a rich period for poetry. 3. In the medieval period in Europe, short narratives were most commonly written in verse. 4. All medieval English poetry closely resembles Chaucer. 5. If we compare the extant romances we should quickly recognize that their themes are not related. 6. The “Canterbury Tales” is the greatest human tragedy of the Middle Ages. 7. Chaucer’s “Romaunt of the Rose” is a literary source, a model of “Roman de la Rose”. 8. The medieval period saw the end of the alliterative tradition. 9. In the “Canterbury Tales” we are listening much of the time to the talking of the author. 10. “Sir Gawayne and the Green Knight” is written in an English dialect. 21
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