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22
11. “Piers Plowman” is a non-alliterative poem.
12. The Middle English romances are largely in prose.
13. Chaucer, like Shakespeare, is for all time.
14. Allegory was the way the medieval mind characteristically worked; it
was a mode of seeing.
15. The reader who eventually reads Chaucer’s poems in chronological
order will begin with the “Canterbury Tales”.
16. .The story of “Sir Gawayne and the Green Knight” is very ancient and
there are analogues in both early Celtic and French documents.
17. All English metrical romances appear to have been written
compositions.
18. Chaucer’s great asset is his English vernacular.
19. The new-fashioned kind of English poetry shows itself already in the
century before Chaucer, in an early thirteenth-century debate-poem
called ‘The Owl and the Nightingale”.
20. There are two dozen English medieval romances extant.
11. “Piers Plowman” is a non-alliterative poem. 12. The Middle English romances are largely in prose. 13. Chaucer, like Shakespeare, is for all time. 14. Allegory was the way the medieval mind characteristically worked; it was a mode of seeing. 15. The reader who eventually reads Chaucer’s poems in chronological order will begin with the “Canterbury Tales”. 16. .The story of “Sir Gawayne and the Green Knight” is very ancient and there are analogues in both early Celtic and French documents. 17. All English metrical romances appear to have been written compositions. 18. Chaucer’s great asset is his English vernacular. 19. The new-fashioned kind of English poetry shows itself already in the century before Chaucer, in an early thirteenth-century debate-poem called ‘The Owl and the Nightingale”. 20. There are two dozen English medieval romances extant. 22
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