Функциональная стилистика. Максакова С.П - 21 стр.

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He often took Irene to the theatre, instinctively choosing the modern Society plays with the
modern Society conjugal problem, so fortunately different from any conjugal problem in real
life. He found that they too always ended in the same way, even when there was a lover in the
case. While he was watching the play Soames often sympathized with the lover; but before he
reached home again, driving Irene in a hansom, he saw that this would not do, and he was glad
the play ended as it had. There was one class of husband that had just then come into fashion, the
strong, rather rough, but extremely sound man, who was peculiarly successful at the end of the
play; with this person Soames was really not in sympathy, and had it not been for his own
position, would have expressed his disgust with the fellow. But he was so conscious of how vital
to himself was the necessity for being a successful, even a "strong" husband, that he never spoke
of a distaste born perhaps by the perverse processes of Nature out of a secret fund of brutality in
himself. But Irene's silence this evening was exceptional. He had never before seen such an
expression on her face. And since it is always the unusual that alarms, Soames was alarmed. He
ate his savoury, and hurried the maid as she swept off the crumbs with the silver sweeper. When
she had left the room, he filled his glass with wine and said: "Anybody been here this
afternoon?" "June." "What did she want?" It was an axiom with the Forsytes that people did not
go anywhere unless they wanted something. "Came to talk about her lover, I suppose?" Irene
made no reply.
"It looks to me", continued Soames, "as if she were sweeter on him than he is on her.She's
always following him about." Irene's eyes made him feel uncomfortable. "You have no business
to say such a thing!" she exclaimed. "Why not? Anybody can see it." "They cannot. And if they
could, it's disgraceful to say so." Soames' composure gave way. "You're a pretty wife!" he said.
But secretly he wondered at the heat of her reply; it was unlike her. "You're cracked about June!
I can tell you one thing: now that she has the Buccaneer in tow, she doesn't care twopence about
you and you'll find it out. But you won't see so much of her in future; we're going to live in the
country."
Семинар 5
Выразительные средства и стилистические приёмы, применяемые в
текстах научного стиля
1. Стиль научного изложения. Стилеобразующие черты.
2. Лексические выразительные средства и стилистические приемы.
3. Синтаксические выразительные средства и стилистические приемы.
Рекомендуемая литература
Основная литература:
1. Арнольд И.В. Стилистика. Современный английский язык. Учебник для вузов.
Издательство: Флинта, Наука, 2002 или 2004. 384 стр.
2. Знаменская Т.А. Стилистика английского языка. Основы курса / Stylistics of the English
Language. Fundamentals of the Course. Издательство: Едиториал УРСС, 2002. 208 стр.
Дополнительная литература:
1. Гальперин И.Р. Стилистика. М.: ВШ, 1977.
2. Разинкина Н.М. Функциональная стилистика: На материале английского и русского
языков. Издательство: Высшая школа (Москва). 2004.
3. Рябцева Н.К. Научная речь на английском языке = English for scientific purposes:
Руководство по научному изложению. Словарь оборотов и сочетаемости общенаучной
лексики: Новый словарь-справочник активного типа / РАН. Ин-т языкознания. - М.:

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