История письма и чтения. Асафова Г.К. - 100 стр.

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those occasions. Chronicles always appears at either the beginning or the end of
the corpus. Its final position is remarkable because the narrative of Ezra and
Nehemiah follows that of Chronicles. The final position may have resulted from an
attempt to place the books of the Hebrew Bible in a framework (Genesis and
Chronicles both begin with the origin and development of the human race, and
both conclude with the theme of the return to the land of Israel), but it was more
probably the result of the late acceptance of Chronicles into the canon.
Psalms
The Psalms (from Greek psalmas, “song”) are poems and hymns, dating
from various periods in the history of Israel, that were assembled for use at public
worship and that have continued to play a central role in the liturgy and prayer life
of both Jews and Christians. Known in Hebrew as Tehillim (Songs of Praise), the
Psalter (the traditional English term for the Psalms, from the Greek psalterion, a
stringed instrument used to accompany these songs) consists of 150 poems
representing expressions of faith from many generations and diverse kinds of
people. These unsystematic poems epitomize the theology of the entire Hebrew
Bible.
Hebrew poetry has much in common with the poetry of most of the ancient
Near East, particularly the Canaanite poetic literature discovered at Ras Shamra. Its
main features are rhythm and parallelism. The rhythm, which is difficult to
determine precisely because the proper pronunciation of ancient Hebrew is
unknown, is based upon a system of stressed syllables that follows the thought
structure of the poetic line.
The lines present various kinds of parallelism of members, whereby the idea
expressed in one part of a line is balanced by the idea in the other parts. The
classical study on Hebrew parallelism was done by Robert Lowth, an 18th-century
Anglican bishop, who distinguished three types: synonymous, antithetic, and
synthetic. Synonymous parallelism involves the repetition in the second part of
what has already been expressed in the first, while simply varying the words.