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11
Picture 1. Van Dyck.
The Family Portrait
super colourist. In 1805 he painted "The Shipwreck". He showed a terrible
disaster at sea. Green was a colour that Turner particularly disliked.
In "Snow Storm" he reflected with the help of snow the idea of sur-
vival and even in our days it looks very prophetic. It is considered one of
his most original paintings. He studies colour very seriously and is said to
anticipate the art of Impressionists and abstract painters of the 20th century.
In his "Rain, Steam and Speed" (1844) he worked much on the colour
interrelation.
Thomas Gainsborough (1727–1788). A very lyrical painter who
successfully connected man and nature. A very strong psychologist, he
painted mostly women on the background of a scenery.
He liked blue colours best of all. His portraits are optimistic and the
light and shade of colour are in full harmony with the lines.
B) Van Dyck created the type of portrait,
which helped him to convey the sitter's
individual psycho-logy. It can be well ob-
served in his "Family Portrait" (picture 1).
The sitter's individuality is vividly
expressed in this portrait. One can easily
follow the gentle and even character of the
young woman and the outstanding search-
ing, restless personality of her husband. The
artist managed to create the impression of
spiritual relationship in spite of the differ-
ence of characters. The colour scheme of
this canvas is very beautiful. The prevailing
tones are red, golden and brown.
During the 18th century the truly
national school of painting was created,
William Hogarth was the first great Eng-
lish painter who raised British pictorial art to a high level of importance.
Hogarth (1697-1764) wasn't a success as a portrait painter. But his pictures
of social life, which he called "modern moral subjects", brought him fame
and position. Among his favourite works are six pictures united under the
title "Marriage a la Mode". This famous series is really a novel in paint tell-
ing the story of the marriage of an earl's son and city merchant's daughter, a
marriage made for reasons of vanity and money. Despite the satirical, often
amusing details, the painter's purpose is serious. He expects his pictures to
be read and they are perhaps full of allusions. At the same time Hogarth
12
Picture 2. William Hogarth.
Shortly after the Marriage
remained an artist and passages especially in "Shortly after the Marriage"
(picture 2) show how attractively he could paint. As a painter Hogarth was
harmonious in his colouring, very capable and direct in his theme and com-
position. He painted many pictures. He is well known as a humorist and
satirist on canvas.
In the second half of the 18th
century narrative and satirical
themes lost their leading role in the
English art. The ruling classes tried
to show in art a confirmation and
glorification of their social position.
The most popular form of painting
became ceremonial portraits of rep-
resentatives of the ruling class. Sir
Joshua Reynolds was the most out-
standing portraitist of the period. In
December 1768 the Royal Acade-
my was founded and Reynolds be-came its first president. He created a
whole gallery of portraits of the most famous of his contemporaries. He
usually painted his characters in heroic style and showed them as the best
people of the nation. As a result his paintings are not free of a certain ide-
alization of the characters. Reynolds was greatly influenced as a painter by
the old masters. This influence can be seen in his "Cupid Untying the Zone
of Venus". The picture is close to Titian's style in the use of colour but it is
typical of the 18th century English school of its approach to subject-matter.
He often included real personages in his mythological works (Venus – Lady
Hamilton).
Thomas Gainsborough, one of the greatest masters of the English
school, was a portraitist and a landscape painter. His portraits are painted in
clear tones. Blue and green are predominant colours. One of the most famous
works is "The Morning Walk" (picture 3). Gainsborough is famous for his
brilliant sense of composition, harmony and form. In the foreground of the
picture you see a pretty slim young woman of about 25 and an elegant young
man. The woman has a very fashionable long dress on, her face is attractive.
She has dreamy blue eyes, and thick curly golden hair. As for the man, he is
tall and handsome, the features of his face are pleasant and expressive. His
eyes are dark, his look is proud, his mouth is rather large, his nose is straight,
and he has a classical strong figure. I am sure that the young people are happy
because they are young, they are in love, because the day is fine, and life is
super colourist. In 1805 he painted "The Shipwreck". He showed a terrible remained an artist and passages especially in "Shortly after the Marriage" disaster at sea. Green was a colour that Turner particularly disliked. (picture 2) show how attractively he could paint. As a painter Hogarth was In "Snow Storm" he reflected with the help of snow the idea of sur- harmonious in his colouring, very capable and direct in his theme and com- vival and even in our days it looks very prophetic. It is considered one of position. He painted many pictures. He is well known as a humorist and his most original paintings. He studies colour very seriously and is said to satirist on canvas. anticipate the art of Impressionists and abstract painters of the 20th century. In the second half of the 18th In his "Rain, Steam and Speed" (1844) he worked much on the colour century narrative and satirical interrelation. themes lost their leading role in the Thomas Gainsborough (1727–1788). A very lyrical painter who English art. The ruling classes tried successfully connected man and nature. A very strong psychologist, he to show in art a confirmation and painted mostly women on the background of a scenery. glorification of their social position. He liked blue colours best of all. His portraits are optimistic and the The most popular form of painting light and shade of colour are in full harmony with the lines. became ceremonial portraits of rep- B) Van Dyck created the type of portrait, resentatives of the ruling class. Sir which helped him to convey the sitter's individual psycho-logy. It can be well ob- Picture 2. William Hogarth. Joshua Reynolds was the most out- served in his "Family Portrait" (picture 1). Shortly after the Marriage standing portraitist of the period. In The sitter's individuality is vividly December 1768 the Royal Acade- expressed in this portrait. One can easily my was founded and Reynolds be-came its first president. He created a follow the gentle and even character of the whole gallery of portraits of the most famous of his contemporaries. He young woman and the outstanding search- usually painted his characters in heroic style and showed them as the best ing, restless personality of her husband. The people of the nation. As a result his paintings are not free of a certain ide- artist managed to create the impression of alization of the characters. Reynolds was greatly influenced as a painter by spiritual relationship in spite of the differ- the old masters. This influence can be seen in his "Cupid Untying the Zone ence of characters. The colour scheme of of Venus". The picture is close to Titian's style in the use of colour but it is this canvas is very beautiful. The prevailing typical of the 18th century English school of its approach to subject-matter. tones are red, golden and brown. He often included real personages in his mythological works (Venus – Lady During the 18th century the truly Hamilton). Picture 1. Van Dyck. The Family Portrait national school of painting was created, Thomas Gainsborough, one of the greatest masters of the English William Hogarth was the first great Eng- school, was a portraitist and a landscape painter. His portraits are painted in lish painter who raised British pictorial art to a high level of importance. clear tones. Blue and green are predominant colours. One of the most famous Hogarth (1697-1764) wasn't a success as a portrait painter. But his pictures works is "The Morning Walk" (picture 3). Gainsborough is famous for his of social life, which he called "modern moral subjects", brought him fame brilliant sense of composition, harmony and form. In the foreground of the and position. Among his favourite works are six pictures united under the picture you see a pretty slim young woman of about 25 and an elegant young title "Marriage a la Mode". This famous series is really a novel in paint tell- man. The woman has a very fashionable long dress on, her face is attractive. ing the story of the marriage of an earl's son and city merchant's daughter, a She has dreamy blue eyes, and thick curly golden hair. As for the man, he is marriage made for reasons of vanity and money. Despite the satirical, often tall and handsome, the features of his face are pleasant and expressive. His amusing details, the painter's purpose is serious. He expects his pictures to eyes are dark, his look is proud, his mouth is rather large, his nose is straight, be read and they are perhaps full of allusions. At the same time Hogarth and he has a classical strong figure. I am sure that the young people are happy because they are young, they are in love, because the day is fine, and life is 11 12
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