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84
The buildings of the Forbidden City of Beijing are traditionally
measured as having a total floor space of 9,900 bays — some even say
9,999 bays, which may be an exaggeration. The picturesque towers
guarding the four corners of the palace compound have each 9 beams
and 18 columns, and the three famous screen walls have nine dragons
on each.
The number "nine" was sometimes combined with "five" to
represent imperial majesty. The great hall on Tian'anmen is 9 bays
wide by 5 bays deep.
There is a seventeen arched bridge in the Summer Palace of
Beijing. This, too, has much to do with "nine". Count the arches from
either end, and you will find that the largest span in the middle is the
ninth.
An extreme example of the "game of nine" is perhaps the
Circular Mound Altar (Huanqiutan) in the Temple of Heaven. Site for
the Ming and Qing emperors to worship Heaven, the altar is in three
tiers. The upper terrace is made up of nine concentric rings of slabs.
The first ring or innermost circle consists of nine fan-shaped slabs, the
second ring 18 (2x9) slabs, the third 27 (3x9), until the last or ninth
ring, made up of 81 or 9x9 slabs.
The number "nine" is not only used on buildings. The New Year
dinner for the imperial house was composed of 99 dishes. To
celebrate the birthday of an emperor, the stage performances must
comprise of 99 numbers as a sign of good luck and long life.
Text 2. Dragon and Phoenix (Long yu Feng)
The dragon and the phoenix are the principal motifs for
decorative designs on the buildings, clothing and articles of daily use
in the imperial palace. The throne hall is supported by columns
entwined by gilded dragons, the central ramps on marble steps were
paved with huge slabs carved in relief with the dragon and phoenix,
and the screen walls display dragons in brilliant colours. The names
in the Chinese language for nearly a11 the things connected with the
emperor or the empress were preceded by the epithet "dragon" or
"phoenix"; thus, "dragon seat” for the throne, "dragon robe" for the
emperor's ceremonial dress, "dragon bed" for him to sleep on, and
"phoenix carriage”, "phoenix canopies" and so on for the imperial
processions. The national flag of China under the Qing Dynasty was
emblazoned with a big dragon. The earliest postage stamps put out by
China were called "dragon-heads" because they showed a dragon in
The b uild ings o f t he Fo rb idde n C it y o f Be ij ing are trad it io na l l y meas ured as ha ving a tota l floo r sp ace of 9,90 0 ba ys — so me e ve n sa y 9,999 bays, whic h ma y be a n exa gge rat io n. The p ict uresq ue towe rs gua rd ing t he fo ur corne rs o f t he pa lace co mp o und ha ve eac h 9 bea ms and 18 co lu mns, and t he t hree fa mous scree n wa lls ha ve nine dra go ns on eac h. The numbe r "nine " was so met i mes co mb ined w it h "five " t o represe nt i mperia l majest y. The g reat ha ll o n Tia n'a n me n is 9 ba ys wide b y 5 ba ys deep. There is a se ve ntee n arc hed b rid ge in t he Su mmer Pa lace o f Be ij ing. This, too, has muc h to do wit h "nine". Co unt t he arc hes fro m eit he r e nd, and yo u w ill find t hat t he largest spa n in t he midd le is t he nint h. An e xtre me e xa mp le o f t he "ga me o f nine " is perhaps t he Circ ular Mo und Altar (Huan qiutan ) in t he Te mp le o f Hea ve n. Site fo r the M ing a nd Q ing e mperors to wo rship Hea ve n, t he a ltar is in t hree tie rs. The uppe r terrace is made up of nine co nce ntric rings o f s labs. The first ring or inner most c irc le co ns ists o f nine fa n-s haped s labs, the second ring 18 (2 x9) s labs, t he t hird 27 (3 x9), unt il t he last or nint h ring, ma de up o f 81 o r 9x9 slabs. The numb er "nine " is no t o nly used on b uild ings. The New Yea r dinner for t he i mperia l ho use w as co mposed o f 99 d is hes. To celebra te t he b irt hda y o f a n e mpe ror, t he sta ge perfo rma nces mus t co mprise o f 99 numbe rs as a sign o f good luck a nd lo ng life. Text 2. Dragon a nd Phoe ni x (Long yu Feng) The dra go n a nd t he p hoe nix are the p rinc ipa l mot ifs fo r decorat ive designs o n t he build ings , clot hing a nd art ic les o f da ily use in t he i mperia l pa lace. The t hro ne ha ll is s uppo rted b y co lu mns entw ined b y gilded d ra go ns, t he cent ra l ra mps o n ma rb le steps were paved w it h huge s labs carved in relie f w it h t he dra go n a nd p hoe nix, and t he screen wa lls d isp la y dra go ns in brillia nt co lo urs. The na mes in t he C hinese la ngua ge for nea rly a11 the t hings co nnected w it h t he e mpe ror o r t he e mpress were pre ceded by t he ep it het "d ra go n" or "p hoe nix"; t hus, "dra go n seat” for the t hro ne, "dra go n robe " for t he e mpe ror's cere mo nia l d ress, "dragon bed " fo r him to s leep o n, and "p hoe nix carria ge”, "p hoe nix ca no pies " and so on for t he impe ria l processio ns. The nat io na l fla g o f China under t he Q ing D ynast y was e mb lazo ned w it h a b ig dra go n. The earliest posta ge sta mps p ut o ut b y China were ca lle d "dra go n-heads " because t he y s howed a d ra go n in 84
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